Mark Wahlberg’s Oscar-baiting bid for glory falls flat

Father Stu (M, 124 mins) Directed by Rosalind Ross Reviewed by James Croot ★★

Mark Wahlberg’s latest attempt at acting legitimacy and potential awards glory certainly demonstrates a commitment to his craft.

The 51-year-old apparently piled on 14kg to play the complicated and equally passionate Stuart Long, as well as pretty much funding this project himself, after multiple studios turned him down.

This true-life tale practically screams Oscar-bait: a radical change in career, spiritual redemption, a love story and a potentially fatal illness are all rolled into one.

It has echoes of his most lauded performances in The Fighter and Boogie Nights but the result is a fitfully entertaining, patchy biopic that sticks pretty close to the wellworn template, right down to footage of the real Stuart Long over the end credits.

And like Wahlberg’s last ‘‘serious’’ effort – 2020’s Joe Bell – a promising start eventually succumbs to over-earnestness, although at least here there’s no big telegraphed twist.

What you see is pretty much what you’d expect from the outset.

Despite still being ranked as

Montana’s No 2 heavyweight boxer, when we first meet Stuart, he’s getting past his prime.

Having developed fevers and infections after his last three fights, his doctor and his mother Kathleen (Jacki Weaver) urge him to pack it in.

‘‘If you put half the same effort into a regular job, you’d be a manager,’’ she chides, before adding, ‘‘damn you for being so careless with your life.’’

Like Stuart and her estranged husband Bill (Mel Gibson), she is still haunted by the death of her other son Stephen, when aged just 6.

After a drunken night where he punches a stone statue of Jesus and ‘‘challenges an officer’s judgment’’, Stuart has an epiphany – he was born to perform, he just hasn’t found the right stage.

To the strains of Glen Campbell’s Rhinestone Cowboy, he heads to Hollywood, taking a job in a supermarket, figuring it’s most likely where he’ll meet those in the movie business.

While that’s not exactly a roaring success, it does lead to an encounter with the enchanting Carmen (Teresa Ruiz).

Despite rebuffing his initial overtures, he tracks her down to a local Catholic Church and, determined to win her over, not only helps out with her Sunday School classes, but agrees to be baptised.

‘‘I’m not what you’re used to – or what you deserve – but I’ll be better than both,’’ he promises.

However, a bike accident changes everything.

Left in a coma and with significant trauma to his head and vital organs, Stuart is not expected to live long.

So when he comes to and slowly recovers, he is certain that somebody thought he was worth saving – and now it’s up to him to show what he has to offer.

Neither his parents nor the local seminary though are exactly convinced of his prospective priestly credentials.

While Australian Weaver delivers fraught-matriarch to her usual high standard, Gibson is the surprise revelation here.

Now pretty much reduced to one-note villains and fatally flawed heroes, the former Oscar-winner’s initially by-the-book belligerent and bellicose Bill develops into a far more nuanced character, perhaps even more so than Stuart himself.

He also gets many of the pithiest lines, offering a welcome succinctness in a movie in which Wahlberg pontificates, proselytises and spouts profanities in equal measure.

While not without its moments, it’s one really only for true Wahlberg believers.

Father Stu is now available to rent from iTunes, GooglePlay and Neon.

Employee of the Month (M, 85 mins) Directed by Jerome Commandeur Reviewed by Graeme Tuckett ★★

The French civil service, apparently, is a bloated monstrosity from which it is almost impossible to get fired. I learned this at a screening of Employee of the Month (Irreductible).

Then again, I also learned that there is a tribe in Ecuador called the Cachao, who paint themselves with red stripes and practice cannibalism (there isn’t), that Swedes can’t cook and only listen to Abba (not entirely true) and that scientists in the Arctic are often required to obtain a semen sample from polar bears by, err, whatever means come to hand.

So, y’know, I’m taking most of what Jerome Commandeur’s new film had to teach mewith a fat grain of salt.

Employee of the Month is a satirical farce, set in modern-day France and further afield, based around the fictional life of lowly office-jockey Vincent Peltier (played by Commandeur).

Influenced by a Svengali-like union leader, Vincent refuses all attempts to get him to take an offer of redundancy, knowing that he cannot be fired and has a job for life, if he simply refuses to leave.

But, with her own career on the line and a prestigious job in government awaiting her, Vincent’s boss devises a series of job offers that Vincent must accept, to not be in breach of contract.

And so Vincent is posted to the rural north, to a prison, to the

Arctic – where he finds true love – and then to Sweden to try out the life of a responsible family man.

In the film’s most inspired moment, it is a real-life TV interview with Gerard Depardieu – used beautifully here – that inspires Vincent to return to France.

Employee of the Month is not much more than a sketch comedy of loosely linked scenes.

Some of it is very funny, and some of it only reminds us that a level of casual chauvinism that hasn’t been seen in much of the world’s cinema this century is still absolutely fine in France.

Employee Of The Month is a smash hit, in a country that still deifies Benny Hill. Go figure.

There are some clever moments here – and presumably plenty of gags that only someone who has lived in France would get.

Me, I laughed a few times, but I was also happy with that slender 85-minute run time.

Employee of the Month is now screening in select cinemas nationwide.